Picking up where I left off with the last post...
I was able to piece together 2 curving lines in the same color combinations then spent some time looking at them on the design wall in a horizontal orientation. I felt good about where it was going, but I figured out early on that I wanted to rotate it to vertical. I also knew that I didn't have enough pieces to work with to create any sort of real composition. At the very least I needed another element--a 3rd line.
It also needed some variation. The center line below is built from the same original strip sets as the other two, with another one worked in. Here I aslo introduced other printed fabrics that related to colors in other parts of the composition.
There's a sort of rhythm, undulation to this that I like.
Checking the values with a grayscale photo (below) helped me workout some figure-ground problems. But, looking at this photo I realized that needed something else. I struggled to figure out how the join these 3 pieces into a whole. I considered several options for filling in the spaces between the irregularly shaped columns. In this photo you can see a trial strip between the 2nd and 3rd columns. It seemed like the start of something, but there were value and scale issues.
The question that I struggled with was how to unite these three columns in a way that maintained the three distinct entities in the final composition--not just the curved lines but the background of each line.
Over time I began to feel like that I needed to treat these three lines as distinct objects and not try to unite then, but rather to transition between them. I needed to interrupt the vertical flow with some horizontal lines. After a lot of rearranging and discussion with friends I started to assemble the first column.
The more I fiddled, the further the three lines move apart and asserted themselves as individuals. So I changed my approach. I would "unify" the whole quilt with a common light background.
It's a little hard to see here, but the background that's starting to come together is pieced from strip sets that were all white, or slightly red or yellow. There are also occasional bits of brown. The plan was to build the quilt from left to right.
Maybe you can figure out what comes next...and maybe you can't. More to come.